Saturday, March 5, 2011

Expiration Dates On Cookie Mix

Every age has to make their mark. But what impression we leave?

"(...) Each era has to make their mark. But nothing leaves more traces in architecture than the exception. It is heartbreaking. However, some Sometimes, these exceptions have architectural quality, in my opinion, they often highlight key concerns: the simplicity, the truth regarding the construction and common sense. Why build these palaces, these monuments, where it could be so simple? The excitement comes from the architecture simple, readable, the spirits need to make things legible. And an architecture that reveals its constitution, just as a human being reveals its constitution, reveals both their goals, and all without camouflage and, above all, without artifice.
I categorically, is not the form that makes beautiful things, but their characteristics. People feel attracted by the architecture of the past, to the heart of the world, everyone. Because I am deeply moved the honesty of those old architectures. And, in my opinion, that honesty is primarily technical. I pronounce the word horrible, scary word ... "Jean Prouvé


Conversations with Jean Prouvé p.42
PD
understand that there is nothing more complex than what is hidden behind a apparent simplicity.'s victory dela management complexity inherent in any simplicity.

Saturday, February 19, 2011

Cellular Respiration Guppies

CASLIT publications continue this 2011. "VICTOR HUGO FLORES FIGUEROA CAPTIVE of


Flores captive

Victor Hugo Figueroa Castilla

Narrative short Omen No. 07

Publishing Group "Children of the Rain"

148 pp. February 2011

Lima, Peru .
Faced with the emergence and rise to the extraordinary narrative reached us in recent years has emerged as a logical consequence a number of articles published by leading publishers. Its creators without them undoubtedly by this avalanche critics have devoted greater attention to the novel, to the detriment of the short story, which from the point of view, there is always considered a "poor relation" within the scope of our narrative.
But

this was no obstacle to shooting it, Victor Hugo Figueroa Castilla, one of the narrators who one day decided to put in the hands of our publishing group, what counts as his writings, or the narratives that emerged from his imagination, as the side of the writers , though in smaller numbers, throw a word count of what had been written down. However, there are few writers who have, perhaps for fear of free speech, the word spoken, not able to correct, delete or rewrite the sentence because it is out of his mouth and is now in the writings of her readers and in the ears of the public, which can not be removed. Moreover, as we know most from these few bold the world of education where they have had a good field to experiment its challenges.

In the case of Victor Hugo Figueroa Castilla, the foray into the narrative comes from his work as a collector of experiences and student of folk tales. Their families, the environment in which daily desuelvuelve was encompassed by the accident that led to the narrative, having to fill the growing number of animated reading sessions that emerged, with more than judicious reflections on his books. The issues raised by Figueroa Castilla, in stories that make up the volume of captive Flores, are exceptional, but I do not mean to imply that the issues are extraordinary; muy al contrario, son temas tratados de anécdotas perfectamente ficcionadas de la cotidianidad del autor, que logró amasar de la realidad que es imperfecta porque ésta estorba la ficción, para convertir un manojo de vivencias en una probable extravagancia, es hacer verosímil la realidad a la ficción, y a esta le gusta seducir, se preocupa más por ser y todavía más: parecer, perfectamente verosímil.

El lenguaje que Figueroa emplea en Flores cautivas, es plástico, poético y metafórico. Los temas nos adentran a descifrar como la viscerilidad del autor se transforma a sí mismo en sujeto y objeto de su escritura, que nos recuerda a Serge Doubrovsky, que nos hace repensar en el neologismo autofiction as gender of the story. Walter L.
Bedregal Paz.

ABOUT THE AUTHOR:
Castilla
Victor Hugo Figueroa (Ica - 1955). Born in Chincha, return to it at 18 years, and is there in that is passionate college days, first in poetry, eventually publishing: Poems and Messages for the Heart, Poems and messages of Yesterday, Today, Tomorrow, Between Stories and Poems, productions that help to make it famous in the local environment. Since 2000 is concerned with the problems of man, in his narrative deciphering that emerges with perfect knowledge of the subject.


On the theoretical side: Victor Hugo Figueroa Castilla, completed studies Instruction Center Research Police of Peru (1974 -1977). Bachelor of Education - School of Education and Humanities. Education Management, Universidad Alas Peruanas - Arequipa (2003 - 2005). Microcomputer Operator - Instituto Superior Tecnológico "Felix de la Rosa," Moyobamba (l998). XXVII - PIACIP - Institute of Police Studies - INAEP. (2008). Diploma in Management - ESAN-LIMA .- 2008. Diploma in Governance - Universidad San Martín de Porres - Lima. (2008). Diploma in Public Investment Projects - Universidad Ricardo Palma, Lima. (2008). IX Course in Police Advisory Command - Police College - Graduate. (1995). First Course of counter-subversion - DOES-PNP. (1989). Management Diploma - Powered - Universidad San Agustin de Arequipa. (2003). "Story and Narrative Course. - Eye of the Minotaur Literary Group, Alliance Française Cultural Association - Arequipa. (2001). "Course of Modernization of Administrative Management for the XXI Century", Universidad Nacional de San Agustin - Arequipa. (2003). Head of Police Division Camaná - Arequipa. (2004).

also played chair at the School of Puente Piedra, Lima, Arequipa and Puno.
With Flowers captive Omen Short Stories series, the author perhaps as many of the stories they publish the narrators, are versions with a cumulative structure. Acrtualmente
serves as Col.. PNP - CHIEF OF POLICE DIVISION XII Fist DIRTEPOL - Puno.



Can I Use A 7.2 Volt Battery In Place Of A 7.4

CASTILLA COURSE" THE APOCALYPSE IN THE ART "IN THE CULTURAL CENTER OF SAN MARCOS

ART AND REVELATION

In order to know the influence it has exercised the Apocalypse in the history of Western art and, specifically, in the Peruvian art, the Directorate of Tourism of San Marcos Cultural Center has organized a course on "The Apocalypse in Art", in which to explain the iconographic elements from this latest book of the Bible and its presence in pictorial compositions and plastic.

The course will be headed by Virgilio Freddy Cabanillas and will address the following topics: The Significance of Revelation in Christian art, The Apocalypse in the colonial art I, The Revelation II Colonial art and the Apocalypse in art contemporary stained glass by Adolfo Winternitz in Lima.
Dates in which this course has been scheduled on Saturdays 12, 19, February 26 and March 5, from 10:00 am to 1:00 pm
More information on the Tourism Cultural Center of San Marcos: Annex 5206 6197000 Tel / turismo.ccsm @ gmail.com

Tuesday, February 8, 2011

Funny Retirement Cake

PRESENTATION of "killer" Javier Nunez. From 11 February.

Killer
Javier Núñez
Short Story "Omen" N º 06
Publishing Group " Children of the Rain "
64 pp. December 2010
Lima, Peru


; ; Presentation, Friday February 11

Location: casa de la Cultura, Jr. Lima N º 550 - City of Puno

to hours 6:00 p.m.

with commentary by writer Feliciano Padilla;

Baldimiro Centeno critic and writer;

and writer and editor Walter L. Peace Bedregal