Stouffer's Outlet Solon Ohion

NEW EDITION OF THE JOURNAL" OASIS "IN PUNO-N. - 3

HERE A SMALL AREA OF THE JOURNAL" OASIS "


ASLEEP

I am facing many women in this bar. "
blue gold," where women drink more than any man ...
- Health, Jaime; this time drink to the beauty of
them, "she says Carlos, a thrill of joy, health Carlos,
other tables and ... we also showed their
full glass of drink with a gesture of toast.
observed in other tables that girl dancing topless
that moved like a mermaid with those
rhythms, at other tables was the same ... in a corner of the bar,
in one of those two sleepers sofas showed me the glass
- go where the sleepers sentenced Carlos.
Although they are not drunk, drunk when we go to pick
them Carlos-health, health, Jaime,
any of these tables and the touching of intimate parts was observed,
this time women will put the initiative because they are without control
say, in some dark corner you could hear the noise of women
names pronounced "no, not so Ricardo is no contained
does not fit there ..." and those
voices could be heard wailing, women at other tables were rolled up her mini skirt and removed
in the act, other and total consumption was in that note that Carlos
Malviz, and had fallen asleep and
it every joined the sex, only I'm free in a

THE MAN WHO COULD NOT DO ANYTHING
(For Chumbeke)
A pretty hip ... Adrian asks the Torres, who
be joined with pleasure. Immediately, the approaches you "encouraged" without
however, only retiring because he had already ejaculated ...


By: Ubaldo Keel Mullisaca

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Optimism VS Utopianism

"(...) that optimism truly radical Koolhaas is incompatible with the utopianism: optimism recognizes an inherent propensity or tendency of any provision of historical fact (including the" fragments " posthistorical or passive drift of "plankton" alluded to cultural Koolhaas), a direction or tendency that can be stretched and followed while utopianism remains trapped in the moral universe of what "should" be and therefore can not claim any materiality wherever you need to print as unrealistic. It's simple: optimism and risk are the wild claims of life-living that life even in places and things-while utopianism remains a statement of the universe aborted the idea of \u200b\u200bmetaphysical transcendence, quixotically indifferent fixed to those experienced provocations of a historical world. "

" For Koolhaas optimism as position is only a "must" in fact, a "fundamental position" for any architecture. In fact, the architecture would be desirable to be dangerous. (...) The architecture becomes dangerous when you leave everything "that comes given "(...)."

"Flying with the bullet" or "when did the future?" author Sanford Kwinter
In the book " Rem Koolhaas, conversations with students " GG 2002, page 67

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Alfredo Herrera Flores: In the sea of \u200b\u200bpoetry

writes: CAMILO H. SERRUTO SANCHEZ Alfredo Herrera Flores

(Lampa, Puno. 1965) poet and navigator puneño perpetual return to the lyrical prose cord Sea affair with the intensity that will be published this year. Back in the land of origin of the origin, confirms once again that Puno is still a land of possibilities endless. Wonderful and mysterious landscape, subduing magical lake.

Speaking of his poetry with the intensity Sea returns to the lyrical verse that worked with unusual success and earned him the Cope Award for Poetry in 1995. With seven books of poetry in his personal bookshelf, will return this year with two more books published. Now, after navigating the sea of \u200b\u200bseveral cities are filing in the city of Cusco. It is always comforting
enter through that vein smooth and sublime is his poetry. From Jade Mountain until this last book, Alfredo continue to browse, faithful and rudder in hand and infinite look of the seas unease as from the other side offers Fernando Pessoa, but by an infinite sea clear where expected to receive as a bunch of flowers. Mar

intensity in the sea south of words
no rain, singing
incomplete.

A landscape drawing sea water the color of your calm, a landscape is diluted in water the color of your violent. The dwell time is also your waters, patient, silent and hidden power, ready to destroy the dream and torment creatures with their ability to leave marks, brands, wrinkles. It's another war, more lethal, torn, blind and without pause, but it is the same story, mar. And every event, every encounter, every time the distress lurks time again, towards the beginning or the end. Everyone
time injuries. Death will follow the steps. The sea is good grave. Oh grave, Sea of \u200b\u200bSerenity, take me like a bunch of flowers. Nobody expects
, except for a parting word, a voice funeral, humidity and boredom. The sea welcomes us free, like a dream.
Every word linking the poem deserves a song. There is an old and blind lookout sorts, using a secret and ancient gift. The dream is precipitated, dense and silent, we are all and none, frequent, residents and heirs of habit, sleep is a feat that is celebrated at dawn, with the faint sound of the waves. Ah sound of waves.

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opportunities

"With the work almost completed, those responsible for the safety of the building we suggested that we put some emergency exits. I kept the original idea had died, while Siza, by contrast, immediately began to modify the project patiently putting the two doors so they could find and strike the right balance, the correct scale and proportions and distances appropriate. The end result was a facade that was certainly more beautiful and interesting than we had initially projected. Must necessarily take into consideration the actual circumstances to think not only according to the rules of a "universal grammar and abstract, but also be able to soak in the context and make the project born from those specific circumstances. The creativity of an architect consists precisely in understanding and resolving such contradictions. In our profession we are constantly faced with problems to be solved, mistakes and setbacks, the greatness and genius of a good architect lies in the ability of governing setbacks and adversity. "

Eduardo Souto de Moura
talk with students from the Faculty of Architecture and Society Polytechnic of Milan (campus Leonardo) Milan, February 25, 2005

Eduardo Souto de Moura, conversations with students. GG, 2008 . P.58