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urban public space architect

" urban public space is no longer seen only as a context (given by the outside and prior to any practice), but also as a support (configuration of buildings, facilities) and a stake (mode affirmation of a group) of urban practices and, in a sense, a product that has resulted from the integration of new elements that belong to the country of "origin" of the immigrant.

"The formation of public space. Ethnological gaze on the casc antic de Barcelona. "Nadja Monnet

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" When the architecture is the result of intellectual engagement with his time and the accumulation of technical knowledge, the architect is more sensible than the codes that make sense, more demanding than the customer who entrusted to him, more enlightened than the environment that illustrates and more genuinely critical that the critic who
.(...)"
lauda "In the invariant empiricism. Notes on a new generation of architects in Spain. " Jorge Garcia House.
2G Dossier. Young English architects.

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Good knowledge space

"Go for knowledge is to go for conversation, and the conversation happens in a space, a space that the organization of human society itself is given away in cities, districts and villages. You can get an estimate of the cognitive health of a population to just take a look at the size of meeting spaces. "

" The intellectual joy, theory and practice on the intelligibility and beauty "60potencias of ten. Jorge Wagensberg

PD
knowledge space is the space for people.

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lighting space information space

"Electronic images are replacing the electrification of the cities and countryside that was created in the late nineteenth and early twentieth century. Automatic cameras and monitors are replacing the streetlights and the lights of the cities. So that when you move into a modern city realizes that everything is focused on a video monitor which is not exactly the prefecture of police or traffic control but also the supermarkets, closed circuit television in the buildings, and so forth. So we interact with images on their representational aspects of artistic or illustrative is a different type of lighting, electronic visibility and can no longer see space, a space to live and interact, the area of \u200b\u200bthe city or even the space of a more global territory, without this new visibility. "

Paul Virilio
Review in an interview to French television and included in VVAA, 5 Codes. Architecture, Paranoia and Risk in Times, Basel / Berlin, Birkhäuser , 2006, pp 126 and 127.
journal appears in the book: "The city captive, control and surveillance in urban space . 62 pp Jose Miguel G. Cortez

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Qui t'empeny the future is the recolza et Darrera ...



underfoot history gathered to make us understand the present and any future empenya'ns. The long, thin grass
moves to the rhythm of the wind. And s'apilonen under layers of the distant past but that is what will help understand the future that grows on the surface.
plants seeking heaven but depend base which relies on the past and the future is looking pretty. Whenever one layer over another below the grass that makes its way to the sky and, fortunately, never get to play ...
grows up but never forget to whom you guide.

Chalamanch

Marc (Marc Chalamanch Photography, Montseny)

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The relativity of everyday things you do not

"is that for me, but how are decirlo? There are several things: first. Full of the types of living together with gente no? For I can not both be very lucid in deciding what is good, worse, whereof I love it!! The discover things that exist are so wonderful as the vivir no? (Lluís) "

" The creation of public space. Ethnological gaze on the casc antic de Barcelona . "Nadja Monnet



PD: You can only discover when it is judged as already discovered.

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Perico forget to tell that his mind is Have

"[...]
- What is that? - The woman asked the waiter, pointing to the long spine of the whale, which seemed no more than trash waiting to be picked up by the tide.

- Shark - said the waiter -. A shark.

wanted to explain what had happened.

- I did not know that sharks have tails so beautiful, so beautifully formed.

- Neither do I - said the man beside her.

up there beside the road in his house, the old man slept again. Still sleeping on his face, the boy was sitting next to him staring. The old dream of lions. "

The Old Man and the Sea , Ernest Hemingway
PD
a tiny piece of this great novel out of context can reimagine that shark who is that woman and her companion, the role of the bartender and what happened while the old is high with a guy who contemplates it, dreaming of a "disconcerting" sea \u200b\u200blions. For that matter, sure we can become a metaphor for the crisis in which we live ...

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"When I bought these plots in the municipal utilities in New York auctions description of them always excited me most was [the word]" inaccessible ". ... What I basically wanted to do was designate spaces that were to be seen or, indeed, occupied. Buying them was my contribution about the strangeness of the boundary lines of property ownership. The property is so present. The concept of property that has all the world is determined by the factor of use. "

Gordon Matta-Clark interviewed by Liza Bear

Project Fake Estates "

A piece measuring 27 square centimeters (cm Yes!) Hardly a habitable environment.
Another piece measured 30 inches wide by 30 feet long, located between buildings and "totally out" (do not know if entry was ...).
Something that can be possessed but never experienced, nor, of course, occupied, and the strangeness of the boundary lines of the existing property.

In "Objects improper modernity" (Chapter 2 of the book "Object to Be Destroyed: The Work of Gordon Matta-Clark "Massachusetts institute of Technology, 2000). Collected in the book: "Build ... or deconstruct? Texts on Gordon Matta-Clark "