WRITES: Fernando Chuquipiunta Machaca
"... Poetry is like the wind, or fire, or the sea. Trees vibrate, clothes, swords burns, dry leaves, cradled in the waves objects that sleep on the beach ... José Hierro (Spain, 1922-2002)
A few months ago I had to write a related literary scene on the poets born in Huancané, and by that time, met with much gratitude to three authors from different generations. And in this occasion, for obvious reasons of space, decided to resort to literary essay test, allowing me to say that from 1.960 up to our present sound new voices of great value and importance of poetry. Some who are the most prestigious literary poets. Others conclude with the called "Poets of the Century".
In this regard, said the literary work of José Luis Adolfo Ayala Olazával (Huancané, 1942), already in 1967 obtained the first prize "Golden Sankay" floral games South Peruvian poetry, it seems, his name was strongly linked to the poetic task. José Luis Ayala has been reached so far published more than fifty literary books, such as: Carlos Oquendo de Amat (biography and literary criticism), Wancho Lima (Croni-novel), Kabbalah for immigrants (Anti-novel)-only for readers dowsers, among others. At times I say the poetry of José Luis Ayala referred again to the depths of their culture, to reveal the sensitivity of the Aymara people struggling for survival in a world of skewed globalization, but, as has been said many times, Jose Luis Ayala, shows a part of the Andean universe at once full of magic and pain, of rare beauty and painful social tragedy.
Another representative of this poetic movement is Julio Abelardo Gironzini Luza (Huancané, 1945), with delicate temperament and well-crafted poetic structure, cultivate, that old literary curse, but also enshrines beautiful metaphors, most surrealists, where it is considered On the other hand, close to the poets Dylan Thomas and André Breton, but in the literary background of his verses in July Abelardo Luza, you'll note mainly because of the delicate cutting edge melancholy tinge Carlos Oquendo de Amat y César Vallejo Mendoza. In addition, Luza Gironzini published books: The empty-handed, Drums storm, Praise Dance and Song and Eternity, which would add the poet Julio Abelardo Gironzini Luza, especially his dichotomy between verses adorn the ornamental mysteries, which on this topic is geared toward the human condition. Cito
especially the voice of Gloria Mendoza Catalina Borda (Huancané, 1948), who has been a walking paradise, similar would vertebrae witty, while his poetry is committed to a deep lyricism, mixed with pain and hope, but always with the minor key, which involves Sometimes the simple negation of life, and prosaic words found on mestizaje as the wind of Antares. Gloria Mendoza Borda has published books of poetry: Wilaya, Crickets took your Cimbrian Place ignore your eyes, The Dance of the rafts, the legendary wolf moon Sweet sweet orange, respectively. All these poems are in the same literary vein, full of metaphysics, and, sometimes, the feeling of Gloria Mendoza missed a feeling numb where the verses, is totally lyrical, nostalgic and introspective. Surely
standardization is no stranger to Leoncio Ccotos Luque (Huancané, 1964), noted poet who has left this circle innate roots literary, and likewise very few people know of its existence vital, and so there is no doubt that his pleasure in a path comprises elegant fully refined and exquisite, as is the Los harmonic expression of personal love, therefore it writer at the beginning of 1990, in Lima, founded the group and hence NOBLE KATERBA proudly able to publish some poems of great importance among which are: On the Identity of Images (1996), in the cracks of your back (2001 ) and Chronicles of Narcissus (2005), to conclude this journey bard's poetic Leoncio Luque, we gave a fragment of its innate poetry: "Poetry is the air that enters the mouth, which runs through the veins, which inflames us, burn us, destroys us, calms us and we lost as black air. "
Between them, breaking the traditional chorus, archaic and stale, there was the poetry of Angel Gabriel Apaza Mamani (Huancané, 1968) as well as that of his generation, turned round to a bucolic symbolism and without distinction Parnassianism any, is in his poetry is found again the verse as organic conductor a world of ideas, which are poetic architecture. The Aporia of Gabriel Aporia poems, is no longer just a bunch of original poetry, apricot and bland. Undoubtedly, Mamani Apaza Gabriel knows what it offers: A poem full of symbols, yet sensitive and rhythmic metaphors and similes, in which use has social roots and string chimeric, despite the clarity of his colloquial language, shows a requirement very strict with himself.
I am also pleased the strength of his literary concerns Sayritupa Oliver Eddy Flores (Huancané, 1974), for every poet like a magician who takes up this word, but this reaches a whole project or convey a sense of the poet. But the symmetry between man and nature has an explanation owed to the history and the essence of life. Eddy Oliver Sayritupa expressly so his poetry as evidence in his verses that great feeling to pantheistic with the traditional land and irreverent as Huancané. The landscape shows rapturous, wistful everyday life, history, dynamic and purposeful, and dazzled the people of dreams. Eddy's poems are Sayritupa Oliver on his ground photographs which records the past, present and future of huancaneño happen, this is expressed in the book Brio Troubadour drives us these words of encouragement. Representing
same huancaneños eclectic poets, Fidel Ernesto Mendoza Paredes (Huancané, 1972) is another name for interest in poetry plateau, which se aprecia un lenguaje vigoroso, expresivo y vibrante. Tiene en su quehacer literario las publicaciones de sus libros: Impresa taciturna, Herejías y Te esperaré en el Cielo, del cual podríamos decir, en este caso, su arte novelístico de Fidel Mendoza, posee de disimiles vetas decorativas que están aflorando al más allá de la inquietud surrealista; además una buena parte de su literatura está antologado, en diferentes libros de la literatura puneña, como por ejemplo, de los profesores Feliciano Padilla Chalco, Jorge Flores Áybar y Percy Zaga Bustinza, quienes han logrado estudiar su trabajo intelectual con todo esplendor.
Sin en verdad se reconoce una fuerte carga sentimental manifestada en nuevas formas, with uncertainties that arise in modern life, but with grooves that comes from old censorship. Ultimately, it is worth noting some similarities, such as failing to register in this tagline literary period, movement and the literary genre of each author. The reason is, as point out the distinguished literary critic Peruvian Augusto Tamayo Vargas, saying the Andean poor documentation is not favorable or desirable for literary study. Therefore, so explain this conspicuous omission, surely, are not names that appear may have greater resonance morning, and I had to leave for now, a work of demarcation.
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